The Hitchhiker's Love Song

We see each other all the time. He'd strap a polaroid camera around his neck, collect a picnic basket and me in the beat up old truck and we'd ride - hours of sunshine and starlight, laughing at the giddy polaroids gathering in the backseat. The AC pumped out an intoxicating blend of summertime and memory and we laughed more, drunk it in, heady as an October evening. The stereo was the sound of our heartbeats, ribboning forth like a kickdrum, eternal as the wind.

We stopped often at first, doing nothing much - checking the headlights before it got dark, keeping time by the blinkers, taking laughing polaroids of the rest stops and state lines, of the two of us chewing sandwiches served from paper sacks. Lately, we've just driven and driven even though the farming towns and railroad tracks are forgotten before they're even seen. We ignore the exit signs now, ignore the restaurants and their gaudy paper napkins, just keep on driving.

We could drive like this forever, you know.

I like it when you drive better. It frees up my hands to ruffle your hair when the wind musses it and to grip the consul between us when the road turns or you start going very fast.

I tease you about your grandfatherly driving, the left-right-left-again adage and driving slow being more than just a big laugh. But we laugh anyway, you and I.

Our favorite time of day is just before the sun begins to set. In this golden light, everyone is beautiful and even our polaroids look simply lovely. Maybe it's the colorblindness you have that perceives the world in whites and greens,  or my rose-colored sunglasses, but even we are beautiful at twilight.

Sometimes, late at night, by moon or clouded skies, we pull the car to the side of the road and look at each other in the silvery grey light that follows the golden evening. Our eyes glow like nocturnal creatures and sometimes we grow afraid. Usually, we sit there in silence, our lungs heaving up the taste of memory and, still in silence, our fingers lace together like shoestrings.

Neither one of us ever stops the radio, except in those silent times without laughter. We need the sound to show us that the car is alive and will keep on running. We learn to listen for our heartbeats on the radio, proving that we are alive too. Because if all the polaroids are any measure, we're going to be here a long while yet. The wind and road signs remind us that we have a very long way to go until we get to the Pacific Ocean or Mount McKinley or the Continental Divide or wherever this old truck is taking us.  The silences will grow and the pictures will discolor. But as long as we're still here and not hitchhiking back alone, we know it's all going to be okay.

"Okay," I say, and we miss another turn.

"Okay," you reply, and crank up the radio, where our hearts beat in stereo sound.

And we know that no matter what happens, if the radio is running, the car will keep on going, and everything will be golden.

I wear a torn place on my sleeve || A thief

Behold, I will do something new,
  Now it will spring forth;
  Will you not be aware of it?
  I will even make a roadway in the wilderness,
  Rivers in the desert.

Do not seek the because - in love there is no because, no reason, no explanation...

I wear a torn place on my sleeve.
It isn't as simple as that.

A thief

rip

rrrrrip

breath

out

blood

in

my

mouth

in my hands

nails

in my hands

darkpainbloodblackingoutheartbeat

rip

rrrrrip

breath

out

i am not afraid to die

just let me die now

throw me in an unmarked grave like the rest

rest

i need rest

no one will remember my name

to be honest, i'm glad. i'm not a good person

blacking out again

rip

rrrrrip

breath

out

memory and other things i don't need

sound and other things i don't want

beside me another forgotten

forgetful

what am i called again?

a thief?

a murderer?

a man?

there's another one beside me, wetting

me with his

black black black no air

rip

rrrrrip

breath

out

words

words

i have no use for words

why are you speaking

you foolish

what do they call you?

i don't even remember my name

let alone who you are

ogodogodogod letmedienowpleaseletmedie

rip

rrrrrip

breath

out

you are a fool

my brother

you are a fool

do you remember what you did to end up here?

i don't.

yes i do.

i can see the faces

don't you remember too, my brother?

and the one

the one in the center center center i can't

rip

rrrrrip

breath

out

i ask nothing of you

i have nothing i can ask you for

you who chose this

bloodbreathsourwineburningbloodbloodblood

i did not choose it

i do not regret it

what else could have been done me?

i would bow before you

but all i can do is struggle against these

nailsnailsnails

to say

rip

rrrrrip

breath

out

o LORD

remember me

when YOU

enter

YOUR

KINGDOM

for i will never see you again

but you will judge my soul

stretching up trying to

breatheagainstnails

will i ever

see

you

again

.
.
.

                       out




Paradise finds its existence.
(to be continued)

(Isaiah 43:19, Anais Nin's Henry and June, and W.S. Merwin's The Nails provide the epigraph.)

I wear a torn place on my sleeve || Pontius

Behold, I will do something new,
  Now it will spring forth;
  Will you not be aware of it?
  I will even make a roadway in the wilderness,
  Rivers in the desert.

Do not seek the because - in love there is no because, no reason, no explanation...

I wear a torn place on my sleeve.
It isn't as simple as that.

Pontius

The violins are a sweet song, and I like them much better than the cries of the dying and the ugly sound of a mob.

I like to think of myself as a gentleman. I'm not a bad man, not at all. I pay my taxes. Have a pleasant wife and a decent family. I do my job without deviation or bribery. I'm a servant of the people. Everything a governor should be. I'm not corrupt, not violent, just a genuinely good person.

So why do I sit here, cleaning blood out of my nails and pretending I can't see the way my hands are shaking?

My hands are clean. I have washed them many times.

But I can't escape the smell of blood. It's in my hair, in my hands, in the throats of the natives as they shout for it in the veins of the man who I am not responsible for, the one whose blood is running in rivers in Jerusalem.

He is not my responsibility. He is not my fault.

I stand up, thinking about going home. It's late, I think. My wife will be waiting up for me. It's long overdue for me to be headed home. And then I sit back down, feeling the olive trees around me and the weight of the world tipping dangerously. No. I can't go home. Not like this.

All of them shouted my name. Coupled it to things that I was afraid of. They say they know what they are doing.

No one knows the price of blood on your hands.

I don't allow myself to think about the one they call the king of the Jews.

He is not my responsibility.

If they had not brought up Caesar -

But they did. It doesn't really matter - I straighten and run my hands over the nails in the gate - I am a servant of the people. I will do as they ask.

My stomach churns. Somewhere, a murderer is laughing at his good fortune and getting drunk in celebration. Not that far away - I tell myself I can not hear the screams and smell the blood - there is a man on a hill who is innocent. I feel sick.

He is not my fault.

I never could get the hang of Passover. So  many Jews. Underfoot. Smelling of religion and subversiveness and mumbling frustration. I thought at first he was one of them. Just another Zealot calling for Roman blood.

He calls for his own blood.

He is innocent. I can not get past that.

I am all that a governor should be. I listened to my people.

So why do I stand, scrubbing at my hands as if they will never truly be clean, which, I think, they never will be?

Strange. I wash my hands and feel more dirty than before.

My wife has been crying her eyes out. She will say she knew it. She did. She was right.

No! I did what was right!

I can not get him out of my head. The way his tears were blood and his blood was water and the water that pours from the fountain is all blood too. I tell myself he is a criminal. I tell myself that the Jews want it this way. I tell myself that the lash in my hand was the scourge of justice.

I ignore the women - I refuse to give them names - who loved him most. His followers, who, with inked in lines on their bitter faces and frightened chewing-of-lips, cried their quiet tears.

The man they call the king called this love.

Love! Is this what you meant, you ignorant prophet?

Why can't I stop thinking of him? This is not the first death sentence I've given.

My stomach turns again.

He is not my responsibility. He is not my fault.

I wash my hands of you, you foolish martyr!

I look at my reddened nails and my heart seizes.

I will never be rid of him.

I know this now.

He will never really leave any of us, will he?

His silence is haunting. As deep as the ocean. Mysterious as death.

Or mysterious as love. I can not reconcile what I know and what the king said.

I feel the tug of life and of love in my stomach.

My hands shake.

He is not my responsibility.

He is

not

my

fault.



Love is irreconcilable.
(to be continued)

(Isaiah 43:19, Anais Nin's Henry and June, and W.S. Merwin's The Nails provide the epigraph.)

I wear a torn place on my sleeve || Mary

Behold, I will do something new,
  Now it will spring forth;
  Will you not be aware of it?
  I will even make a roadway in the wilderness,
  Rivers in the desert.

Do not seek the because - in love there is no because, no reason, no explanation...

I wear a torn place on my sleeve.
It isn't as simple as that.

Mary

My mouth tastes as bitter as nails. I could swear that when I saw his blood, it was mine too. My skin all over hurts. I'm quivering. I vomit up fear and shake more.

This is no place for a lady.

I am no lady, though, everyone knows that.

I can't stay here.

I run.

Until my feet are sore and bleeding and I'm beneath a palm tree somewhere far away and I don't really care what they think of me because, really, did they expect me to watch him die?

I know it shouldn't smell like blood here. Why does it?

I'm still shaking.

He won't die. He can't. He's like Elijah, my Lord. He is like Enoch. He will be taken to heaven in glory, I tell myself. But I can't shake the image of him, if indeed that was him, covered in blood and flayed skin, holding his insides in and carrying the burden of it all on his shoulders. Nails all in him.

He did warn us, I think. But never like this. Never did I picture it going like this.

My whole life is wrapped up in him. I don't know what I'd do without him.

It's with a sinking feeling that I gag and ask myself what this means. I just really don't know. I don't know anyone like him, my Lord.

What is really a marvel is the fact that it's been just a few years. I can still remember the days before my Lord. I envy, to think of it, the girls who will come after me and know him forever. Or something like forever. He's gone now, I try to tell myself.

The smell of sulfur always and the momentary appeasement of seven inner demons brought about by doing what they wanted, all the while sleeping in trees and by rocks and in homes I did not know. Blankly, I think that I was taken advantage of a lot, by the men and by the demons, but I really don't think I was. I invited it. I wanted it. But once it happened, I really wanted to take it all back.

He didn't mind the way I screamed. The thing I had become. I am not yet at a place where I can think about the seven demons and the way I was without crying. Maybe I never will.

Oh, who cares. Today I have a right to cry.

I have cried a lot in the past week. I think usually I'd be ashamed of this. But I've known what the others haven't, that this Passover is his death wish. I don't know what in me knew, but I've been mourning his death for days. Only now, when he is actually - probably, I say, not actually but probably - dead I can't accept it.

Maybe this is why I anointed him for burial on Sunday. I couldn't have done it today.

There's a nail on the tree trunk sticking out and my hand catches on it and bleeds.

I'm all alone now. I smell sulfur once again and I start to shake. I was alone before. I can do it again.

No. I really can't.

Anyone else, I'd say I'd fallen in love. But I know that's not what it is.

Is it fear that he's gone?

I watch the blood pool in my hand.

I don't know what love is.

I've had so many men in my life. It would be easy to write this one off as a particularly bad choice. Sorry, everyone, I picked a crazy blasphemer. Oops.

But lies taste like sulfur and I can't abide sulfur.

I gag.

I don't know how to love him.

Blood and dirt and vomit.

That's just it, isn't it? I do know what love is. It's him. But it is new. Newer than the blood sun rising up.

God! Give me back the demons and let him go!

I don't know

how

help

me

I've fallen

and

I

can't

find

my

way

back

he's a man, right?




There's more to him.
(to be continued)

(Isaiah 43:19, Anais Nin's Henry and June, and W.S. Merwin's The Nails provide the epigraph.)

I wear a torn place on my sleeve || Peter

Behold, I will do something new,
  Now it will spring forth;
  Will you not be aware of it?
  I will even make a roadway in the wilderness,
  Rivers in the desert.

Do not seek the because - in love there is no because, no reason, no explanation...

I wear a torn place on my sleeve.
It isn't as simple as that.

Peter


Never have I hated roosters more than right now.

I know it's not right for me to blame it. But I choose to blame everything. Everything and everyone. And very much myself.

I think, Simon. Really. You couldn't get your act together by the third time?

I reply, No, I'm an idiot. What do you expect?

As I stare at the nails hammered into the gate, the gate to a garden which I would like to forget about, I gloomily recall other idiotic moments. There are too many of them. More since I met the Teacher.

The time I got all excited about walking on water and nearly drowned because I was faithless. Not my best moment. Me, faithless in front of the whole group. No, not my proudest moment in the least.

So many times I shouted out some stupid answer because it was just burning at my throat to be said and then I'd get this look from him or from them that was clearly saying, Simon. Stick to fishing. You don't know anything.

Bitterly, with darkness laughing against my cheeks, I realize it's true.

Three times!

There is a stony darkness in me that that is burning my belly. I think of the Teacher, who is really the only person who ever believed I could do something right. The darkness is clawing its way up my jaw. I feel my face tighten and burn. I refuse to let myself believe that he is dead.

But I know he is.

I have a nail in my hands and I'm running it against the ground, absently writing. I think it's my name.

I brush my hand over it. I am Simon now, because Peter would have held fast.

I am not a rock. I'm as changeable as the wind and no amount of excitement can change that.

Lying is so easy. You just let a little half-truth slip out, grin in bitter memory, and carry on.

His name, paired with lies bitter as soap, is burned on my tongue. I'll never be able to look him in the face again.

And I  might not be able to, I realize and then my heart seizes up again.

I don't love him, I tell myself. It's not like if Andrew had been carted off or something. Then I wouldn't deny it - he's my brother, of course not - but I would know what this tightness in my throat was called.

I'm too ashamed to look into the sky and pray, God forgive me, I am an idiot.

So I bow my chin against my chest and weep. The nails falls from my fingers and I am overcome by what I've done.

Why do you believe in me, Lord?

Because you believe in me.

My hands are dirty.

I want to make it up to him somehow.

And then I realize it. He is new. He is doing a new thing.

Oh take me back to the start

I could not hear

My ears have forgotten

I miss

I miss

The dawn comes softly and I put the nail in the garden gate, which I remember well. He is greater than me I fail not, and all is well.

It's worth it.
To be continued

Crying for Grey Hamelin

Follow me, little children, and I will show you how to be free. Do you hear the sound of my wooden flute? It sings for you the song of love. It is a love song, darling. So follow me and I will teach you.

My eyes shall guide you and my song shall lead you. You must not see the cave walls around us, hush-a-bye, little children. My flute enchants you, does it not, my children? Your hearts will be made free.

That voice which cries in the mountains and among the desert streams, is not mine, my children (for mine you are now). Ignore that not-my-song, my loves, my ltitle ones. Your fathers can not hear you among the snow-filled caverns. You are mine now, and this is the song of freedom.

The children awaken among the dragon's lair and cry for grey Hamelin. What have we done, they cry. What did we do to get here?

The piper smiles and lifts the flute to his lips once more. The children open their mouths to cry and cover their eyes, but the sweet sound of chains does bind them. Their eyes turn to the heavens and all of us join hands and fall into the paradise that we call Hell. See, it's dark and it's quiet here, without the scary snow and the dragon with the flute.

One little child stands up and opens his eyes. His ears are bleeding and he turns from the piper and the open sky without the cave and he shakes his head. Slowly, slowly, then faster and faster and he sings.

The song is not new, but it's his father's song, and the wind's song, and the laughter's song, and the song the piper was trying to remember. It is the child's song.

It is the song of freedom. 

And the snow crumbles down.

Do not believe your heart
(It lies)
Trust not your eyes
(For you, sweet child, are blind)
The world crumbles like stale bread
And you are made of dust
Not wisdom
So do not weep
And do not mourn
Though the hearse drives over your boots
And your lover spits acid at you, saying,
You never loved me and I hate you for your falsehood
You must smile and soldier
You must be quite all right
Though everything be wrong and you
Forget everything in tears
Two things you can believe
The silent stars
And Me.

Nobody's Eye

I was born like a Cyclops
My eye, overlarge and weepy,
focuses and rolls
and if I can't remember where
to look too like a snake
I when I forget change from
Polyphemus to Medusa
and my one eye will burn to stone
And my hair will poison
you with its fragrance
Because I'm Nobody and Nobody
remembers where the siren's song leads
Maybe the man who built the dove's boat
He was so full of faith and salt
So by faith and salt and rainbows and a broken mirror
My one eye opens
And the serpents vomit up their applesauce
And I see a great laughing
Skyful star
And all of a sudden
I'm very meek weak hopeful
That my eye will never open again
And my heart will be all more like a
Nobody

To Remember How to See

In such a place, where the ghost queen kisses the ghost king as they dance in harmony, I suppose it's not so unusual, the love story that unfolded in harmful song. For this is a love story, and it is not mine, and yet, it is all mine.

Once there was a small green dragon with golden eyes. He loved a princess, long-haired, pointed-chin. She was not a ghost like her parents, but I suppose being raised by ghosts takes a toll on you. She was as young as the dragon boy, but she didn't seem it. Forgetting and remembering, over and over, had aged her. She smiled at him, and to her, that meant love.

She had a secret, and the secret was as large and terrible as the forbidden wood where he lived. She had read the stories handed down by faerie godmothers of centuries before, and knew that a dragon's heart is enough to stop age, to promote immortality, to restore to a prematurely old princess the youth she ought to have. And I think that was the reason she loved the dragon most - he could heal her, if she ate his heart.

He was silly over her. He loved her more than anything and he wanted nothing but her love. That's why he was sad, that day. It was foggy and grey and the hunting hounds were out.

"Whoever catches the small green dragon, the one with love in his eyes, will be rewarded." The princess proclaimed to the hunting party. "I will give them all that they ever desire. I will acknowledge them as the  mighty hunter, the dragon-slayer, that they most want to be. But the dragon must not know what you are doing, or it will consume you in its fiery wrath."

The hunters set out, and one, a sharp-faced skinny thing with overlarge eyes, drew her bow against herself.She was small, and a little scared, because she didn't have any concept of killing. She was a healer. She liked to make things feel better, by her hands, and she was good at it. Cuts and bruises, broken hearts and sadness, all fell to the forest floor with her, the huntress and healer. I don't know why she wanted to find the dragon. Maybe she could feel his sadness.

She shut her eyes and let the forest spin around her like the world in orbit. She knew she could find the dragon, because the huntress was named Pity, and Pity always finds those who are in love.

She felt hot breath against her and opened her eyes, and there he stood, the weepy-eyed green dragon. Somehow, she was not surprised. "Good evening."

"They're looking for me, aren't they?" said the small dragon. "The hunters?"

The thin huntress nodded.

"If they knew what it was to love, they'd know where to find me." he said mournfully. He turned his great sad eyes from the mountains to the girl. "I never wanted to run from the princess. You must understand love, to find me. What is your name?"

Love is a great thing to understand. She blushed. "I'm called Pity. I'm a huntress and a healer."

"Pity. That is a good name." The dragon says, infinite sadness and infinite wisdom coloring his voice. "Are you going to take me to see her at last? That's what you're here for."

Pity had not realized how hard this would be. He was a fool. The princess would kill him, and he couldn't even see it, because he loved her. One thing she knew - this poor fool was the sweetest of monster, and maybe she did understand love, because I think she loved the poor dragon. "I have to tell you something."

"I will listen."

Of course, she can't just say the princess means to kill him in her selfish want of love. She closed her eyes and listened again, hearing his heartbeat. "Why do you love her?" She puts her healing hands against his chest, feeling sadness seeping into her fingers.

"Can the bee explain why it makes its honey sweet? Does the mountain know why it shadows the towns below? Can a huntress tell away her knowledge of the bow?" He shook his head. "You and I are alike, Pity. You know love too, and you don't understand it, same as me. That's why I trusted you, Pity. That's why I let you see me, why we found each other. Because we're both starving because we don't know what we know. We have both given everything, too, haven't we?"

No one had ever talked to Pity like this before. "Are you saying that my listening is giving?"

A great, steaming dragon tear fell to the ground. "It is also taking. You are pulled, little Pity. And you do not understand the things you know."

"Dragon!" She turns to him with concern in her forehead. "You are bleeding!"

"You have cut me, Pity. Your hands are the hands of a huntress." The dragon says weakly.

"No! No, I never meant to hurt you!" She presses her hands to the hole in his chest. The blood falls through her fingers, and the wound begins to close.

"Take your hand away. Your healing can not truly heal. You only want the pain to stop, I know your kind well, Pity, but it will only hurt it all more." He gasps and pushes her hand away. His heart falls free from his chest.

"No! No, I never meant to hurt you! All I wanted to do was make you feel better!" Tears are pouring from her, and join his blood.

"It's all right, Pity. I wanted this. And better to be killed by a small girl named Pity than a giant called Regret." He turned to her, weakly. "You do not understand the things you know, not at all. You are no healer."

Tears poured from all of her. "I know. I know. I'm sorry, I didn't mean to-"

He put his talon against her back. "No, don't feel bad, my dear little Pity. That's not why I told you that. Just know this - sometimes what a dragon needs is to be cut, and not to be made whole. You will learn, little one, how to do both, and how to know what you do is right." Tears leak from his eyes. "I trust you, Pity. Do you trust me?"

"Yes." she whispers. "Yes, I do, Dragon."

"My name is not Dragon; it is Love. My kind will teach you well one day. But now, little one, I am trusting you with this, my heart, my most precious gift. Would you give it to the princess for me?"

"Why do you love the Princess? She does not love you. She wanted you to be hunted."

"It doesn't matter. I would that she would have just asked me for my heart, for I would have willingly given it to her. But now, she will be healed." he sighed. "And you will be well-renowned as a dragon-slayer."

"No, I will not." Pity said resolutely. "I will be renowned as the small girl who found a dead dragon and cried at his body, and whose tears made the flowers grow."

The dragon regarded her and his talon fell away from her back. "Then you are wise, and you are learning already." He shut his eyes. "One favor, if I may, Pity?"

She leaned forward. "Anything."

"Heal my eyes. I have been blind a long time."

She pressed her hands to his eyes and her tears made him see. He sighed, and the flowers began to bloom. "So, that is what your eyes look like." And he breathed his last.

And little Pity, leaving her bow in the forest, took his heart to the princess and she was healed. I don't think she ever knew how Pity had slain a dragon called Love by accident to heal her, and I don't think she was ever thought of by that selfish princess again, but Pity knew. She never forgot him, the dragon Love,  and I think that she did learn how to heal and how to kill by her hands. But she mostly went every spring to the place where they had made the flowers grow, to remember how to see.

Dear Bathsheba [[remorse and resurrection]]

...Oh, beloved Bathsheba. Do not leave me here, alone with the moon. I love you, my dear, oh, I love you...

God, how I miss you. 

I'm very alone here, Abba. When I saw her bathing on the roof, I loved her. She loved me, too, God, I know she did. We were beautiful together, admit it. She was sad and she was lonely, and I was scared and I was misunderstood. I was so afraid to lose her.  You've taken me away so many times from the ones I love. I was afraid you would do it again, God, that once again, you'd cast me away from the ones I love. I loved them, God. I promise I did. 

I think that was why I snatched her up the way I did, I just didn't want to lose her, the way I lost all the others I loved most. I know, I know, it was wrong of me to be so afraid.

I wasn't trying to hurt her, the pretty, weeping girl that night. I wasn't trying to hurt you either, I swear it. Oh, how I didn't want to give her up. I miss her, my beloved Bathsheba. It wasn't her fault, of course, the dark way I loved her, the way my love turned to murder.

Oh, God, I can't even think about that. My heart will break all over again and I think I had just salvaged enough of it to say I'm sorry. I am. I'm so so sorry.

How you must despise me. My family does. My whole kingdom does. I despise myself, most of all my bitter-stained heart. 

I'm alone with the moon again. I'm a mass of contradictions, you know - the king after God's heart and the one who killed for a bitter love.

Give me my harp, my dear, I need to sing a short song. Or maybe it will be a long one.

You're my beloved now, the real one, you who never left me alone with the outside darkness (saying I'm sorry and then trying to forget over and over). You've kept my hands gathered, and for the last time, taken hyssop and ground it into my heart, into my eyes, into my hands.

I'm aflame now, and I'm weeping and there is resurrection. My heart died when we parted, you and I, and I buried it when I said goodbye to her, but now, create in me a clean heart, a new one, O God, and resurrect - renew - a right spirit within me. Have mercy on me, O God, according to your unfailing love.

Because, I'm sorry isn't going to work when you're alone with the moon. Because, a broken and a contrite heart, O God, you will not despise.

Thanks be to God. Thanks be to God, through Jesus Christ our Lord.

The Siren

My child, now let us look at a marvel...
What a peculiar little chimaera
See her long hair as wild and dark as moss
Beloved eyes one green and one purple
She is so very small, but with
A large voice singing songs
Oh, my child, cover your ears and
stuff beeswax into them
For the little white lady
with harp-voice wings
With a green serpent wound down her waist
She's quite something
Look at her, wet smiling and air weeping
A warning, that's what we call her
Because we can not be both
Air and water
Much less an earth and a spirit
There can be no candle in the underworld
No worms in love with doves
Salt in a fresh spring
Do not marvel at me, my child
But as I change
You may love me
[that's a question]

I fall in love with a bird and live

Once upon a time, there was a little worm-girl. She lived in the quietest part of a garden, under hte shade of a wild-haired tulip.

There was not one thing special about this worm. She was not important, she was not talented, she was not (certainly not!) pretty. The easiest way to describe her is a Nobody among Nobodies.

The grown-up worms knew her to be a simple-hearted little thing with no big aspirations and no big exceptional traits, but a big heart - big for a worm, that is. The boy worms were blinded by her blindness and usually mistook her for a ladybug. Ladybugs are good at listening, but are usually too prim and proper to be friends.

Maybe they were right. She was a very blind worm, and not very important at all. Either way, she listened a lot, and she loved to listen. But she still couldn't see and maybe that was her biggest fault.

One day, she was squalling about in the shade of the garden. It was so bright and hot and her skin hurt. She, in her ungainly worm fashion, squinted her forehead where her eyes would  have been and squirmed uncomfortably away. She thought about the sun and the other worms and the tulips and suddenly wished she weren't blind even though she'd know how ugly she was.

"Hello, girl."

She froze. She knew that voice. It was a bird, one of the bright winged creatures who are as full of light as they are of air and beauty. They also eat worms. "Hello, bird." She said. She flails side to side, trying to face him as best as one can with no face.

"Don't trouble yourself," he said softly. He hopped around to face her. "Are you alright, girl?"

She can't remember the last time she was alright.And she knew birds. They tried to be kind, but they're so beautiful, so undeniably better, that they end up devouring poor worms like her. "What do you want from me?" She said.

He waits a long time to answer. When he does, his voice is soft as warm poppy petals. "Just... just to love you." he says quietly. "To be friends. You've always been kind."

Not to wild birds. "Thanks, but not really. I'm not kind." she says, worming her tail awkwardly backward.

"Yes, you are. You've always listened and cared and asked and been kind to me. I-" he hesitates. "Don't you remember how kind you are to me?"

"I do not know you." What a sorry thing to say. "I'm sorry, but I don't."

"That's okay." he says, and he's not quite disappointed. "I think we are friends."

"Okay."

"I think," he hesitates again. "I think I, maybe, love you." It sounds like a question.

She didn't answer, because birds can't really love worms, not really. They may care, they may be merciful or even kind, possibly sweet, but never ever can they really love worms. Where would they live?

She wishes she could have seen how he looked when he said it though.

He did keep coming back, the bird boy, every day. They did nothing together. She couldn't really fly with him, and there was nothing that she would like him to see about her home. So they lazed. They listened. They sat. They talked. They were together.

"Tell me about seeing," She said. They're sitting in the sunshine. Her tail is would around his talons.

"It's amazing." His breath and his wings are against her back. She sighs, because it's good to be together and alive together. "The world is very bright." he continues.

"Okay."

"I see things as they seem, I think. It's not like what you do, dear."

"Okay."

He stirs a little. "I love you."

Before she can talk herself out of the glimpse of light she just had, she says, "I love you too."

Oh no! She is blind. She is a blind ugly worm. She can not love him. He can not love her, but even less can she love him. "No! No, I can not love you." She gulps down a pocket of tears. "I am a worm and you are a bird."

"You don't understand. Love isn't like that."

"A bird can not love a worm, my dear. Where would they live?" She says, and the world is very very dark again.

A blink of light. "We are each other. Not a bird, nor a worm. We are who we are."

A blink of tears. "No, you can't do that. Don't become a worm for me."

His wings move. "I've always been a worm. It was you who first called me a bird."

All of a sudden, she remembers who he is and why he knew they were friends. But she knew him, once a long time ago, not as the bird that he is, but as one of the other wailing worms. She had listened to him.

"But I feel your wings." She says, stubbornly. "You are more than you think you are. How could you be a worm?"

He smiles. "Sometimes love goes by many names. Sometimes, its best name is blindness."

Love is neither sight nor blindness.

"No." She says. "Love's name is not blindness. Love is what is real, it is a realization. You are a bird. My blindness gave love realization."

"Do you not feel your wings?" he says softly. "My sight will realize your reality, too."

She is not a worm. He is not a bird. They are real and the in between of wings and worms is where they live.

Summer and Blue

“Hello.” said the boy with the blue eyes. It was raining and his brown hair ran down his face with the rainwater.

“Hi.” said the girl with the summer smile. Her hair was not running anywhere. She held a polka dot umbrella over her head and stood in its spotlight.

The boy with the blue eyes smiled, but it was a sad, February smile. “We don’t know each other, do we?” The smile turned to frost, and the summer girl watched, perplexed and teary-eyed as he turned into an ice ghost before her.

The summer girl had seen a ghost before. That’s how she knew the boy with the blue eyes was one.

She lived in an industrial-strength box in the middle of a petulant city. The sky was a perplexing shade of brown and the people there were all little silent-movie black-and-white executives. They wore combed hair, conservative ties and carried briefcases with locks on them. The reason they had locks on the their briefcases was that they carried weeks of July and August, packaged in dandelion fluff and wishes, in them.

Summer is very heavy.

Every evening at the very same time, in the very same way, the executives would sit down at their mouldering kitchen tables with a glass of strong autumn in one hand and their briefcase in the other and they would open them and smell their summer weeks and look at the yellow sun in a briefcase where it doesn’t need to shine except to keep awake.

The girl with the summer smile had always been told she was born at that time of day and when she had made her first sound – a self-conscious hiccup – she had accidentally swallowed a sunbeam and that it was always trying to run away when she smiled.

In reality, the reason she smiled like summer is that when she had first got her briefcase full of July and August, she had looked at the sun so often she had begun to turn into summer itself. When the others found out, they put her in a very industrial little box house and told her about the ritual of seeing summer only once a night.

So she listened and met the ghost boy in the wallpaper.

He was translucent with tiny teeth and a mass of hair. “Hello.” he said as he rose from the oily industrial wallpaper.

She was still too young to run away from either ghosts or strange boys.

She was not afraid of him.

So they became friends until he left her to go to the capacious attic where he turned into a pile of bones with a heartbeat.

She cried.

When she could come to her senses and abandon the drudgery of walking under a brown sky with a briefcase, she climbed the cobwebs to the attic, and, stifling the Niagara Falls inside her lungs, she found the bones and embraced them for she embraced the ghost boy’s memory. She tripped on a wooden puppet on the way down.

She grew to despise both attics and puppets.

Standing here in the rain looking at the blue-eyed boy made of ice, she was reminded unpleasantly of the ghost boy’s heap of bones in the attic.

She lowered her eyebrows. “I defy you, Death.” she said to the February clouds. “I know you mean harm only and I see where caring got me last time.”

She turned from the boy with blue eyes and the sound of her shoes was like rain. And rain was raining. And the boy was making noises silently, and his eyes were blue, and his cheeks were running blue and his chin was raining blue and he was crying and there was rain. He was unmoved still – she knew because she heard no footsteps behind her – but he was blue with ice and blue with rain and blue with crying.

She looked down at the crackling sidewalk and observed her feet, made of smoke and coffee stains. She observed her transparent hands and her tears fell through her – his tears too. All of a sudden, things were plain and sunflowers grew – she was a ghost. Even less than a mouldering heap of bones piled up without a soul in an attic, she was a ghost.

Both. No wonder she had not run from the wallpaper boy. Ghosts. How could she remember the wallpaper boy, if she and the blue-eyed boy are so of smoke and ice. There is no marriage of fire and water. There is no love in ghosts.

And the blue-eyed boy’s tears met hers and they turned to blood and the blood ran off them. She turned around as he turns toward her and their blood vapor hands meet.

Blood turns to water and they fall into stars. They are alive and summer meets blue and we call it Love.

Two Poems on One Day (Two/ little bits and pieces)

Two

Two planes passed each other in the night

Two silent blinking heartbeats

Two longing believingly hopeful lights

A pilot stops to find a star to eat

Two planes and no delight

Two fireflies passed each other, full of fright

They blink, they cover their mouths

The moon's fear is far too bright

They fall to the ground, careful not to arouse

Two fireflies would never find a might

Two yellow-spiced winds passed each other on the right

Briefly they intoxicate their own poisons

They vomit up their hearing and sight

They turn their blind eyes from wish and reason

Two yellow-spiced winds are always a fight

Two white birds passed each other in flight

Both too tired to want or demand

Their heartbeats and wings fill with breathful white

For just a moment, they hold hands

And two white birds are all quite

little bits and pieces

little bits and pieces

All of life was a map with a key

and it was torn up into

little bits and pieces

I objectify and fragment

I lust and I lose

My vision is a stained glass crackled mirror

Dropped by demons into my eyes

Who are you?

I see only long slender fingers

I hear only the squalling of your singing

I'm distressed by my love

of little bits and pieces

Whole
Half

None

I'll be the white capped head of hair

I'll blend into the green eyeliner

No one will find me

And no one will care

And we'll call the silence freedom

And we'll be free

little bits and pieces

of glass and seashells only cut my hands

but if I were invisible, I wouldn't have to worry

about the little bits and pieces

who like to follow me

I'm a mother duck, you see

And the whole of the earth is my duckling

I spit my bill on the ground

Because I'm disgusted

I peck my bony feet till they're

little bits and pieces

My eyelashes all fell out

And I lost my fingers

In the white lake

Beauty is lust

And vision is fr agmented

All is

little bits and pieces

drowning me

Have you seen the little rainstorm?

I put it in a jar

Swirlingly, it whispers

It is full of seaweed, the raw winds of oceanic

Mindsets (when minds are full of pufferfishwhich eat their neighbors

and refuse to see the waves above their heads asanything but

symmetry and empty seashells)

Oh how the pickled skybirds do make me swing

My hands in deathly frustration

Why is the sky so big?

Why am I a jellyfish?

Did you not promise me I would be an angelic

Jellyfish are purposeless and hideous

I am consumed by the pufferfish struggles

I am distraught by the fact

Of the ocean drowning me

drowning me

drowning me

I. am. so. confused. by. grace.

drowning me

drowning me

Lift up your heads, O ye

drowning me

drowning me

Who shall ascend the hill

drowning me

drowning me

Who is the king of glory

drowning me

drowning me

Waves sound like

drowning me

grace

And even longer

When I left my glass slipper there on the step, I did not expect you to pick it up. I was running at a hundred thousand miles an hour, knowing I did not belong there. I don't know what I expected would happen to my shoe. I supposed I would have left it there in that land of polished lights and glowing wineglasses. It fit in there.

I did not expect you.

I did not expect the bloodstains on the heels from where your hands were bleeding from saving me from that roaring dragon at the ball. I did not expect your crown to be made of brambles. Princes are princes, true is true, but what prince has no gold upon him but his golden eyes?

You saw me.

They (not you) have all forgotten the captive monster who posed as the princess. The tinkling goblets never stop their music-box-melody from within, but I feel the horns sprouting from my forehead and the hunching of my back - I am no princess! - Oh, why did I ever pretend? Now I know too much...

The rain falls on my face and the laughter turns to thunder. I trip on my one-shoe and feel my dress soak full of mud. Your crown is beside me, and my glass slipper.

Have you really loved me all this time?

He says, And even longer.

{True love at first sight}

Until the Dusk Is Here

Something I was thinking about this past week...

Until the Dusk Is Here

I am... alone here

I am... grieved

Where did you go?

When light and darkness wed

Here, their heroic bouquet

Tossed far away

Won't someone come take me away?

This is nothingness, there is no here

No lilies grow in the dark, our bouquet

Is scrap iron and disappointed, grieved

Glances toward the pain and joy, wed

Take me away! {where will I go?}

Isolation: my desire to flee and go

Thing I fear not to go away

Happy jitters true fear when I wed

Myself to the starless smog here

Captive by enthused and now grieved

Here I bury the bones of my bouquet

Falling away from my gentle bouquet

Longing to fly, to flee, to go

Hoping to remedy the grieved

Wishing I didn't need to run away

Grieving for a time I wasn't here

Singing toward the day we'll wed

Today, grace and truth are wed

The Bridegroom hands me the bouquet

-I realize now how dark it is here

How silent - we go

Out of the net, far and away

My heart is star, not grieved

In the distance, thou art grieved

For those you see to bones and darkness wed

But we are not so far away

We shall together resurrect our bouquet

In light, we shall skip and sing and go

Until the dusk is here

You and I shall go see the grieved

We shall wed so far away

Toss to the sunset our broken bouquet until the dusk is here

"But you are a chosen race, a royal priesthood, a holy nation, a people for his own possession, that you may proclaim the excellencies of him who called you out of darkness into his marvelous light."

Paradox: on Maundy Thursday

Then came the Day of the Unleavened Bread, on which the Passover lamb had to be sacrificed...

Afraid, I walked
In gloomy streets
God, O God, pass over me...So Jesus sent Peter and John, saying, "Go and prepare the Passover for us, that we may eat it."

We walk together
He and I, we saw
On every corner, a face
Ah, how we should have known it
For it was the face of him

They said to him, "Where will you have us prepare it?"

Sadness
Glory
On his brow
Where is a place for this man?
I can not find him

He said to them, "Behold, when you have entered the city, a man carrying a jar of water will meet you. Follow him into the house that he enters,"

Water, I thirst
Why can not this void within be quenched?
I will follow you
Where are you?
Where are you taking me?"And tell the master of the house, 'The Teacher says to you, Where is the guest room, where I may eat the Passover with my disciples?'

In the corner of the room,
There is a vase
-We are all fearful -
In it, still, still his face
Why do I not recognize it?

And he said to them, "I have earnestly desired to eat this Passover with you before I suffer."

Everywhere, I see guilt
And faces
Faces, I see them, I am
Afraid, I do not know who this is
I earnestly desire to be in your kingdom, Teacher
I would not be afraid there

And he took bread, and when he had given thanks, he broke it and gave it to them, saying,^"> "This is my body, which is given for you. Do this in remembrance of me."

Broken, like my heart
I do not see anything but this unknown face
Who are you?
I remember, Lord, but
Why, why indeed, would I need to?

And he came out and went, as was his custom, to the Mount of Olives, and the disciples followed him.

I see more clearly here in the dark
Here you are!
I see the face and I know you.
And here you come to leave us all
Paradox
I don't understand, but tomorrow
Tomorrow, I will see
Tomorrow I will understand
Now I know in part
Perhaps I will understand as I am understood
What a sad, sad story
To see your face in prayer
Here among the Olive Trees
You are, I recognize, your face
In paradox

As I Am Known

I've realized something. All adults struggle with confidence. We all live as half-people, showing our one face to the light, hiding the other in the darkness. We live just flashing hints of the other side, but so infrequently that others don't even know it's there.

Why is this? All children are born with a natural confidence. Having worked with them for years, I can tell you that if you compliment any (verbal) child between the ages of 2 and 5, he or she will always respond with 'yes', 'I know', or 'I'm good at that'. It's genuinely felt, too. Perhaps a young child's self-confidence is a little extreme, but still, why does none of that carry over into later childhood and adulthood?

Why is it that one can appear so poised, and feel so empty inside? Why do you say, 'I'm beautiful', 'I'm awesome' and think, 'I'm ugly', 'I'm worthless'? Why do you applaud achievement, and yet never even realize that you have things worth applauding too? Why do you compare yourself to a dead body, and find yourself wanting?

I've been reading up on reactive attachment disorder, and I've noticed that as people, we've all developed this. Reactive attachment disorder is defined as a disorder that occurs when a child wasn't given proper attention, care, and love as a child and infant, and consequently has learned that they are unworthy of love, that all people are unworthy of love.

RAD kids can sometimes be withdrawn, destructive, detached, but often, especially as they get older, they pretend they're normal to fit in. They can be particularly charming, but it's not true. Inside, this is just a way they function - but inside, they're just expressing particular disdain for the world around them. And aren't we the same, experiencing this same spiritual RAD?

Every one of us was born desperately hungry for love. And as we grow up, we realize that we aren't ever going to find it. Even the most loving family, the mostly godly home, the most receptive friends can't replace the ache that every human feels - that dull throb that cries out for someone who will care about them, no matter what. We try to fill that hole by forcing love, but it only gets worse. Finally, we react to the situation in the way that we think is most logical - we withdraw. No one can love us, no one deserves us to love them. We detach and see the world as an empty, hollow shell. Why bother with anything else? People no longer hold charm. Their gentle murmurs as they whisper together are as quiet and meaningless as wind in dry grass. Their peacock displays are gaudy, and ugly. And you are no better.

But by ignoring what is true, the water under the surface, the rumbling under the shell, we haven't made it go away. Our confidence doesn't affect the fact that we want to know others, and we want to be known by others. Something in our circles of understanding cries out, "I was made for more than this! I want to live! I want to be beyond myself!" But who shall deliver us from this body of death? How can we hide! How can we fight! And yet we do.

I realize something else now. This longing for perfect love explains one thing clearly to me: we were created for perfect love, and there is a Creator who is willing. We long for what is beyond us because we were created for something beyond.

My dear friend often quotes this verse to me, and today I realize its potency:
For now we see in a mirror, dimly, but then we shall see face to face. Now I know in part, but then I shall know, just as I also am known.

I want to be known as I am known in perfection. I will live my life as a whole person - more than a shell, or waters swiftly moving, but as a statue that is not broken.

May I encourage you to be full? Be, and I will love you. But nonetheless, Christ is love, and God is truth. Is this not the confidence we have in him?

Stone

I'm sitting in the back of time
An insignificant half-life, hidden
Clothed by my illusions of thought
Protected by hiding under feeling
I can't even remember what I've lost, I
Don't know the name - overwhelm -

Is the purpose of darkness to overwhelm?
I feel empty inside most of the time
I want love! How desperately I
Want someone to love me. Is good hidden?
No one wants - I cut off feeling -
Me, has heaven given a thought?

I cover myself with him, I thought
Perhaps this stench of death will overwhelm
My own. If I hide my own feeling
Of fear will it work most of the time?
Behind the dead one I remain hidden
That's what I wanted right? I -

I believe - but not like that - I
Like to be alive, but not as much as I thought
Ah, so long as death is hidden
Why does sadness seem to overwhelm?
It seems to control me, consume my time
Why so [un]vulnerable? Where is feeling?

I think I used to indulge my feeling
I'm not sure that that wasn't good. I
Pretended at pain to pass the time
And my mind was my reality, my thought
Truth, true to form, would overwhelm
The recesses of my soul are hidden

But now light will reveal the hidden
I'm not stone any more, but feeling
Can darkness truly overwhelm
My heart behind this dead body? I
Am going to leave behind this filmy thought
This disguise I'd almost kept for all time

You are not hidden - You are my time -
Removed my stone thought - now living feeling
This is me: I am. You overwhelm.

(That's the poem, or something close to it, that's been bouncing around my head since The Great Divorce. It still doesn't make sense to me, but I do love that story. -C)