Pinkie Promise

The Boy's eyes are grey. Did they used to be grey? Suddenly it's all-important to the Girl - were his eyes grey or is that something that changed in the ages apart?

He blinks with that steadily unfocused rhythm and rubs his eyes. The Girl watches him, with her hands caught up in the softness of her skirt. They weren't grey before. She remembers now. They were green.

"I missed you." She says to the now grey-eyed Boy who is still glaring off into the middle distance, not seeing her, not seeing their house or the little garden she made while he was away or the small dancing hills out past. His eyes are a hundred thousand miles away in a dug trench.

See, everything's changed and everything's died. The Boy's died. Why she bothers to come and talk to him every day, why she says those silly stupid sweet things like I-missed-you and I'm-happy-to-see-you and I'm-here-for-you escapes her. Her Boy is gone. Maybe his Girl is gone too. One never can tell.

He isn't listening even now. There's anger in his jaw. Her Boy is never angry, he wasn't before, before the trenches and the helmets and the rickety cots.

"If you'll be the Fairy Queen, I'll be the Fairy King." He said. They're children, winged by their imaginations and dressed in pearls and mermaid laughter. His little round face pokes out from under the bedsheet tent they've made. "Here. I'll make you a daisy crown." His little thick fingers twist a rope out of the air and add daisies made from his mind and places it on the Girl's head. His green eyes widen. "You look beautiful, Queen Fairy. There is magic in us tonight" 

She's overcome with a sudden wave of missing. Loss and grief, not because he's dead, but because he's gone. Her Boy is gone. Her Boy, with his laughter and his kindness and his long fingers clasping her around her back when they hug hello - that Boy is gone and the big bad wolf has stolen his body to be given to hold a cruel man.

She doesn't want to believe her Boy isn't in there somewhere. She takes his hands.

"Must you go, Boy?" She said. They're in a tent again, but this time it's a white gazebo tent, with warm summer air all in her hair and his green eyes. The grass beneath them as they sit smells of apples and earth. They're leaning against each other in that way that couples do, and her veil gets tangled up in his bow tie. "I know what happens to people who go away to war."
"All is war, Girl." he says gravely. "We are always at war. I just have to leave home to fight my monsters."
"They'll steal your soul, and then I'll never see you again." She confesses her fear.
"I will never leave you alone. You won't let me. And I won't let you. Pinkie promise, right?" They hook pinkies and sit in the grass with their pinkies hooked. "We belong together, you and me, Girl. We're the Fairy King and Queen. That's the magic. And nothing can change that."

Boy! Why did we grow up? Why did we leave behind the green earth to fight?

He did come home to her, too many moments later. She greeted him at the door, her green eyes all full of magic and delight. Her white veil catches on his medal of honor but not on his eyes. That's when she first sees his grey eyes and the pinched up way his lips are brought together. He doesn't see her. He's seeing the fighting. The death. The pain. There's no more mermaid laughter in him. 
He is not her Fairy King any longer. He is a soldier, and he has forgotten the magic. 

Boy, can you hear me?

It's been something like a hundred years of this, Girl saying stupid lovey things to Boy, wishing and waiting, while his mind does marching drills in his nightmares. It's hopeless, but I think the moment she acknowledges that, all the magic will fall apart and, like the Boy had said, all will be war.

The Girl's eyes are dark with tears. This is why she feared growing up, why she feared letting the Boy go away. She closes her eyes and wishes she was a little girl again playing fairies in the sheet tent. But of course she's not. She's all grown up and she's almost out of magic too.

Her face is soft when she looks at the Boy. For the first time, she realizes how young he looks when he is afraid. Poor little thing. Trapped in a grown up nightmare all alone. Her breath hitches and she stretches out her fingers, all worn and thin now.

"I never break a pinkie promise." She says softly, and her voice catches. She hooks her pinkie into his and shuts her eyes.

Maybe there is magic in them yet.

Maybe magic is just another word for love.

Maybe the big bad wolf can't devour someone who gives everything in a pinkie promise.

Bad dreams are no match for magic fairy kings and queens.

The Boy's and Girl's eyes meet, and it is green.

So the Boy was right after all. All is war, because we all want to stay children forever, but the world demands we all grow up. All is war, because the world wants to suck the  magic out of our eyes and make us as grey as sand. All is war, because love is always worth fighting for, living for, dying for, saying silly things for, and promising far too much for. All is war, but we will win it. Green will always  eat away the grey.

Pinkie promise.

Crying for Grey Hamelin

Follow me, little children, and I will show you how to be free. Do you hear the sound of my wooden flute? It sings for you the song of love. It is a love song, darling. So follow me and I will teach you.

My eyes shall guide you and my song shall lead you. You must not see the cave walls around us, hush-a-bye, little children. My flute enchants you, does it not, my children? Your hearts will be made free.

That voice which cries in the mountains and among the desert streams, is not mine, my children (for mine you are now). Ignore that not-my-song, my loves, my ltitle ones. Your fathers can not hear you among the snow-filled caverns. You are mine now, and this is the song of freedom.

The children awaken among the dragon's lair and cry for grey Hamelin. What have we done, they cry. What did we do to get here?

The piper smiles and lifts the flute to his lips once more. The children open their mouths to cry and cover their eyes, but the sweet sound of chains does bind them. Their eyes turn to the heavens and all of us join hands and fall into the paradise that we call Hell. See, it's dark and it's quiet here, without the scary snow and the dragon with the flute.

One little child stands up and opens his eyes. His ears are bleeding and he turns from the piper and the open sky without the cave and he shakes his head. Slowly, slowly, then faster and faster and he sings.

The song is not new, but it's his father's song, and the wind's song, and the laughter's song, and the song the piper was trying to remember. It is the child's song.

It is the song of freedom. 

And the snow crumbles down.

like a girl in a red cloak

you have turned my mourning into dancing

and i left my sackcloth in the river

because i would rather wear a ballet slipper than 

have ash on my forehead

and (ladies and gentlemen, step right up!)

i will not soil my hope with mourning

i see light

and my head is killing me

because the light will burn away

all the darkness in my eyes and wash the gas mask

from my mouth

i will dress myself in ballet slippers

and my heart will be more filled with joy

(the funny thing is, i am not really happy

sort of happy

but i am, like a girl in a red cloak, not afraid of the darkness

for i will hug the wolves and throw down my heart to 

die to live)

because that is joy

i will not fear

i would rather dance

than twirl away my responsibilities

and forget the wolves in sadness

and draw wet sackcloth in my mind

Do not believe your heart
(It lies)
Trust not your eyes
(For you, sweet child, are blind)
The world crumbles like stale bread
And you are made of dust
Not wisdom
So do not weep
And do not mourn
Though the hearse drives over your boots
And your lover spits acid at you, saying,
You never loved me and I hate you for your falsehood
You must smile and soldier
You must be quite all right
Though everything be wrong and you
Forget everything in tears
Two things you can believe
The silent stars
And Me.

Nobody's Eye

I was born like a Cyclops
My eye, overlarge and weepy,
focuses and rolls
and if I can't remember where
to look too like a snake
I when I forget change from
Polyphemus to Medusa
and my one eye will burn to stone
And my hair will poison
you with its fragrance
Because I'm Nobody and Nobody
remembers where the siren's song leads
Maybe the man who built the dove's boat
He was so full of faith and salt
So by faith and salt and rainbows and a broken mirror
My one eye opens
And the serpents vomit up their applesauce
And I see a great laughing
Skyful star
And all of a sudden
I'm very meek weak hopeful
That my eye will never open again
And my heart will be all more like a
Nobody

To Remember How to See

In such a place, where the ghost queen kisses the ghost king as they dance in harmony, I suppose it's not so unusual, the love story that unfolded in harmful song. For this is a love story, and it is not mine, and yet, it is all mine.

Once there was a small green dragon with golden eyes. He loved a princess, long-haired, pointed-chin. She was not a ghost like her parents, but I suppose being raised by ghosts takes a toll on you. She was as young as the dragon boy, but she didn't seem it. Forgetting and remembering, over and over, had aged her. She smiled at him, and to her, that meant love.

She had a secret, and the secret was as large and terrible as the forbidden wood where he lived. She had read the stories handed down by faerie godmothers of centuries before, and knew that a dragon's heart is enough to stop age, to promote immortality, to restore to a prematurely old princess the youth she ought to have. And I think that was the reason she loved the dragon most - he could heal her, if she ate his heart.

He was silly over her. He loved her more than anything and he wanted nothing but her love. That's why he was sad, that day. It was foggy and grey and the hunting hounds were out.

"Whoever catches the small green dragon, the one with love in his eyes, will be rewarded." The princess proclaimed to the hunting party. "I will give them all that they ever desire. I will acknowledge them as the  mighty hunter, the dragon-slayer, that they most want to be. But the dragon must not know what you are doing, or it will consume you in its fiery wrath."

The hunters set out, and one, a sharp-faced skinny thing with overlarge eyes, drew her bow against herself.She was small, and a little scared, because she didn't have any concept of killing. She was a healer. She liked to make things feel better, by her hands, and she was good at it. Cuts and bruises, broken hearts and sadness, all fell to the forest floor with her, the huntress and healer. I don't know why she wanted to find the dragon. Maybe she could feel his sadness.

She shut her eyes and let the forest spin around her like the world in orbit. She knew she could find the dragon, because the huntress was named Pity, and Pity always finds those who are in love.

She felt hot breath against her and opened her eyes, and there he stood, the weepy-eyed green dragon. Somehow, she was not surprised. "Good evening."

"They're looking for me, aren't they?" said the small dragon. "The hunters?"

The thin huntress nodded.

"If they knew what it was to love, they'd know where to find me." he said mournfully. He turned his great sad eyes from the mountains to the girl. "I never wanted to run from the princess. You must understand love, to find me. What is your name?"

Love is a great thing to understand. She blushed. "I'm called Pity. I'm a huntress and a healer."

"Pity. That is a good name." The dragon says, infinite sadness and infinite wisdom coloring his voice. "Are you going to take me to see her at last? That's what you're here for."

Pity had not realized how hard this would be. He was a fool. The princess would kill him, and he couldn't even see it, because he loved her. One thing she knew - this poor fool was the sweetest of monster, and maybe she did understand love, because I think she loved the poor dragon. "I have to tell you something."

"I will listen."

Of course, she can't just say the princess means to kill him in her selfish want of love. She closed her eyes and listened again, hearing his heartbeat. "Why do you love her?" She puts her healing hands against his chest, feeling sadness seeping into her fingers.

"Can the bee explain why it makes its honey sweet? Does the mountain know why it shadows the towns below? Can a huntress tell away her knowledge of the bow?" He shook his head. "You and I are alike, Pity. You know love too, and you don't understand it, same as me. That's why I trusted you, Pity. That's why I let you see me, why we found each other. Because we're both starving because we don't know what we know. We have both given everything, too, haven't we?"

No one had ever talked to Pity like this before. "Are you saying that my listening is giving?"

A great, steaming dragon tear fell to the ground. "It is also taking. You are pulled, little Pity. And you do not understand the things you know."

"Dragon!" She turns to him with concern in her forehead. "You are bleeding!"

"You have cut me, Pity. Your hands are the hands of a huntress." The dragon says weakly.

"No! No, I never meant to hurt you!" She presses her hands to the hole in his chest. The blood falls through her fingers, and the wound begins to close.

"Take your hand away. Your healing can not truly heal. You only want the pain to stop, I know your kind well, Pity, but it will only hurt it all more." He gasps and pushes her hand away. His heart falls free from his chest.

"No! No, I never meant to hurt you! All I wanted to do was make you feel better!" Tears are pouring from her, and join his blood.

"It's all right, Pity. I wanted this. And better to be killed by a small girl named Pity than a giant called Regret." He turned to her, weakly. "You do not understand the things you know, not at all. You are no healer."

Tears poured from all of her. "I know. I know. I'm sorry, I didn't mean to-"

He put his talon against her back. "No, don't feel bad, my dear little Pity. That's not why I told you that. Just know this - sometimes what a dragon needs is to be cut, and not to be made whole. You will learn, little one, how to do both, and how to know what you do is right." Tears leak from his eyes. "I trust you, Pity. Do you trust me?"

"Yes." she whispers. "Yes, I do, Dragon."

"My name is not Dragon; it is Love. My kind will teach you well one day. But now, little one, I am trusting you with this, my heart, my most precious gift. Would you give it to the princess for me?"

"Why do you love the Princess? She does not love you. She wanted you to be hunted."

"It doesn't matter. I would that she would have just asked me for my heart, for I would have willingly given it to her. But now, she will be healed." he sighed. "And you will be well-renowned as a dragon-slayer."

"No, I will not." Pity said resolutely. "I will be renowned as the small girl who found a dead dragon and cried at his body, and whose tears made the flowers grow."

The dragon regarded her and his talon fell away from her back. "Then you are wise, and you are learning already." He shut his eyes. "One favor, if I may, Pity?"

She leaned forward. "Anything."

"Heal my eyes. I have been blind a long time."

She pressed her hands to his eyes and her tears made him see. He sighed, and the flowers began to bloom. "So, that is what your eyes look like." And he breathed his last.

And little Pity, leaving her bow in the forest, took his heart to the princess and she was healed. I don't think she ever knew how Pity had slain a dragon called Love by accident to heal her, and I don't think she was ever thought of by that selfish princess again, but Pity knew. She never forgot him, the dragon Love,  and I think that she did learn how to heal and how to kill by her hands. But she mostly went every spring to the place where they had made the flowers grow, to remember how to see.

The Urchin

The travelling man came across an urchin in the street. She was dirty and her fingernails were clenched and bloodied against her breast. One hand was pressed to the pavement and the other was pressed against her breast. Hollow-eyed, she glanced up at the man and waved with one hand still against her. Her shawl falls away from her dirty eyes and she stares. He waves back and travels on. He is a travelling man, it's what he does. She's just a little urchin girl, and as he whisps on, an empty chewing-gum wrapper falls from his pocket. She picks it up and calls in a softly lisping voice, "Thank you, sir. I'll hold this piece of kindness in my pocket and one day when I have something to give, I'll be kind to you too." He doesn't turn around, but hopes that she'll grow up to be not such a dirty girl as she is now.

Decades later, when the moon is king and the sun is dark, the travelling man returns and as he walks, he sees the urchin girl - thinner, colder, and brittle as a snowflake. She is not an urchin anymore, but a seller of secrets, a lie-seller. 

"Are you a buyer of things I know?" she said softly in the street, her hand clenched against herself. 

The white-lipped man with the pocketwatch stops. "Are you a seller of good things?"

"I sell the things I know, sir. But we will barter in things we know: I will hold whatever secret you put into me and then I will tell you something happy. You may buy the things I know."

So he whispered a bitter secret into her ear, and she took her hand off of her breast, and pulled, to the travelling man's surprise, her hand away holding her heart, beating and hollow as a drinking gourd. She put the pale secret into the hollow vase of her heart, solemnly. Then she pressed it back into her chest. She shuddered and grew a little paler. "Thank you. I'll hold it unless you want it back." She said it sort of like a question.

"No. I do not miss it." 

"Then let me tell you a secret, in exchange for what you sold me." She looked up into the heavens, and whispered something in his ear. His face lifted and he smiled. His lips took some color and he put his pocketwatch away. Then he walked away.

She smiled thinly and sat back down. Whatever he said had made her sad, and whatever she had said had made him happy.  

The travelling man was curious. And so he walked to her. "Are you a buyer of things I know?" she said. 

His eyes shot from her dark hollow eyes to her hand clenched against her. "What do you sell? Lies or the truth?"

Her eyes flickered. "I don't know the difference. I sell the things in my heart. I have many things that my heart knows. And I sell the ones that make you happy. I'd make you happy, sir, if you'd exchange me something in your heart."

"Why?"

"My heart falls out a lot, and it has a hollow in it. It's shaped like a secret. So I thought I should do it that way. That part I know is true."

He stretched out his hand and dropped a beam of light, purer than any secret into her hands.

"I can't keep this, sir." she said, her lips quivering. "I've never had anything this beautiful. I'm not that kind of girl, sir."

"Keep it." he said softly. Curious, he said," Now, tell me one of the things you sell people."

After a moment's hesitation, she rose to her tiptoes and whispered in his ear. His eyes intuitively brightened. "But that is true." he said happily. "The things you say are true."

She looked relieved, and tired. "I'm learning now what true is, sir. But that's not what I say, sir. I'm saying things that are happy."

He looked her in the eye. "Now tell me one of the things still in your heart. One of the sad ones."

She shook her head. "No, they are mine to hold. I'm the one with the hole in my heart, and I'm the only one who has to do this. I wouldn't wish this on you."

"But they're lies." he said. 

She turned her head in a somewhat shamed way and walked.

The travelling man saw her again the next day, sitting on the ground. The first thing he noticed was that her hand was out in front of her face, outstretched, and not clenched against her.

In her hand, her heart was bleeding all over, and the smile he was accustomed to seeing on the lie-seller's face was gone. "It wouldn't go back in today." She said blankly. "I couldn't get it back once I put a secret in it." She winced.

"Does it hurt?"

She winced. "I can't tell if this is truth or a lie. And I know I'll die if I get it wrong." She glanced back to her heart in her hands.

"I will show you the truth." Said the travelling man. And he put his hand on her heart and held it for her as she coughed. Secrets and lies and sadness and blood poured out of it and she coughed and cried. "No, no!" she said. "I promised I would hold those."

But they continued to pour until one last thing was stuck in there as she gasped.

It was a chewing gum wrapper.

"I made a promise once," she said to the travelling man, all out of breath. "to be kind to you."

Then she crushed her heart into her hands and said, "I can not hurt you any more. Neither can I lie to anyone again." 

And the urchin exhaled.

The Wedding Dancer

I remember him well
The shepherd with the lute
Such a sweet boy
Such a sweet, sweet sad boy
I loved him with every part of my voice
I never did know her name,
The fanged little wolf that stole
his heart, which I'd always thought
would be forever free.
Maybe I love him still.
I'll dance at his wedding, forgetting.

I remember her too
She was a small sparrow
One wing was clipped military short
She perched on my shoulder
She was my song and my sighing
I loved her more than anyone
She was my child
He loved her too, with his overalls
His overlarge hat
His heart wide open so
I could see he loved her
He loved her best, the sparrow
And I was glad to give her away
But how I miss her
I loved her too, thought
Maybe more purely than the other
It's okay.
I'll dance the Lindy Hop at her wedding
In my red shoes.

He's not a memory yet
The White Knight, I loved him too
My poor heart could never quite
But that's not important
The White Knight came green
and wounded and I loved him from the beginning
He was as beautiful as a Mid-Atlantic
Snowstorm. His sword
Was rusty but his pipes were fresh.
I love him still.
I've always known about her, too.
As long as I've known him,
I've known the White Knight
was meant for a princess
not a Lady of the Lake
or dancer
I've always loved you for someone else
And that's okay.
I always will.
That's why I'm the Lady of the Lake.
I love you, I
Promise I do.
And, I am not so broken, you know
I will dance at your wedding.

Dear Bathsheba [[remorse and resurrection]]

...Oh, beloved Bathsheba. Do not leave me here, alone with the moon. I love you, my dear, oh, I love you...

God, how I miss you. 

I'm very alone here, Abba. When I saw her bathing on the roof, I loved her. She loved me, too, God, I know she did. We were beautiful together, admit it. She was sad and she was lonely, and I was scared and I was misunderstood. I was so afraid to lose her.  You've taken me away so many times from the ones I love. I was afraid you would do it again, God, that once again, you'd cast me away from the ones I love. I loved them, God. I promise I did. 

I think that was why I snatched her up the way I did, I just didn't want to lose her, the way I lost all the others I loved most. I know, I know, it was wrong of me to be so afraid.

I wasn't trying to hurt her, the pretty, weeping girl that night. I wasn't trying to hurt you either, I swear it. Oh, how I didn't want to give her up. I miss her, my beloved Bathsheba. It wasn't her fault, of course, the dark way I loved her, the way my love turned to murder.

Oh, God, I can't even think about that. My heart will break all over again and I think I had just salvaged enough of it to say I'm sorry. I am. I'm so so sorry.

How you must despise me. My family does. My whole kingdom does. I despise myself, most of all my bitter-stained heart. 

I'm alone with the moon again. I'm a mass of contradictions, you know - the king after God's heart and the one who killed for a bitter love.

Give me my harp, my dear, I need to sing a short song. Or maybe it will be a long one.

You're my beloved now, the real one, you who never left me alone with the outside darkness (saying I'm sorry and then trying to forget over and over). You've kept my hands gathered, and for the last time, taken hyssop and ground it into my heart, into my eyes, into my hands.

I'm aflame now, and I'm weeping and there is resurrection. My heart died when we parted, you and I, and I buried it when I said goodbye to her, but now, create in me a clean heart, a new one, O God, and resurrect - renew - a right spirit within me. Have mercy on me, O God, according to your unfailing love.

Because, I'm sorry isn't going to work when you're alone with the moon. Because, a broken and a contrite heart, O God, you will not despise.

Thanks be to God. Thanks be to God, through Jesus Christ our Lord.

The Siren

My child, now let us look at a marvel...
What a peculiar little chimaera
See her long hair as wild and dark as moss
Beloved eyes one green and one purple
She is so very small, but with
A large voice singing songs
Oh, my child, cover your ears and
stuff beeswax into them
For the little white lady
with harp-voice wings
With a green serpent wound down her waist
She's quite something
Look at her, wet smiling and air weeping
A warning, that's what we call her
Because we can not be both
Air and water
Much less an earth and a spirit
There can be no candle in the underworld
No worms in love with doves
Salt in a fresh spring
Do not marvel at me, my child
But as I change
You may love me
[that's a question]

I fall in love with a bird and live

Once upon a time, there was a little worm-girl. She lived in the quietest part of a garden, under hte shade of a wild-haired tulip.

There was not one thing special about this worm. She was not important, she was not talented, she was not (certainly not!) pretty. The easiest way to describe her is a Nobody among Nobodies.

The grown-up worms knew her to be a simple-hearted little thing with no big aspirations and no big exceptional traits, but a big heart - big for a worm, that is. The boy worms were blinded by her blindness and usually mistook her for a ladybug. Ladybugs are good at listening, but are usually too prim and proper to be friends.

Maybe they were right. She was a very blind worm, and not very important at all. Either way, she listened a lot, and she loved to listen. But she still couldn't see and maybe that was her biggest fault.

One day, she was squalling about in the shade of the garden. It was so bright and hot and her skin hurt. She, in her ungainly worm fashion, squinted her forehead where her eyes would  have been and squirmed uncomfortably away. She thought about the sun and the other worms and the tulips and suddenly wished she weren't blind even though she'd know how ugly she was.

"Hello, girl."

She froze. She knew that voice. It was a bird, one of the bright winged creatures who are as full of light as they are of air and beauty. They also eat worms. "Hello, bird." She said. She flails side to side, trying to face him as best as one can with no face.

"Don't trouble yourself," he said softly. He hopped around to face her. "Are you alright, girl?"

She can't remember the last time she was alright.And she knew birds. They tried to be kind, but they're so beautiful, so undeniably better, that they end up devouring poor worms like her. "What do you want from me?" She said.

He waits a long time to answer. When he does, his voice is soft as warm poppy petals. "Just... just to love you." he says quietly. "To be friends. You've always been kind."

Not to wild birds. "Thanks, but not really. I'm not kind." she says, worming her tail awkwardly backward.

"Yes, you are. You've always listened and cared and asked and been kind to me. I-" he hesitates. "Don't you remember how kind you are to me?"

"I do not know you." What a sorry thing to say. "I'm sorry, but I don't."

"That's okay." he says, and he's not quite disappointed. "I think we are friends."

"Okay."

"I think," he hesitates again. "I think I, maybe, love you." It sounds like a question.

She didn't answer, because birds can't really love worms, not really. They may care, they may be merciful or even kind, possibly sweet, but never ever can they really love worms. Where would they live?

She wishes she could have seen how he looked when he said it though.

He did keep coming back, the bird boy, every day. They did nothing together. She couldn't really fly with him, and there was nothing that she would like him to see about her home. So they lazed. They listened. They sat. They talked. They were together.

"Tell me about seeing," She said. They're sitting in the sunshine. Her tail is would around his talons.

"It's amazing." His breath and his wings are against her back. She sighs, because it's good to be together and alive together. "The world is very bright." he continues.

"Okay."

"I see things as they seem, I think. It's not like what you do, dear."

"Okay."

He stirs a little. "I love you."

Before she can talk herself out of the glimpse of light she just had, she says, "I love you too."

Oh no! She is blind. She is a blind ugly worm. She can not love him. He can not love her, but even less can she love him. "No! No, I can not love you." She gulps down a pocket of tears. "I am a worm and you are a bird."

"You don't understand. Love isn't like that."

"A bird can not love a worm, my dear. Where would they live?" She says, and the world is very very dark again.

A blink of light. "We are each other. Not a bird, nor a worm. We are who we are."

A blink of tears. "No, you can't do that. Don't become a worm for me."

His wings move. "I've always been a worm. It was you who first called me a bird."

All of a sudden, she remembers who he is and why he knew they were friends. But she knew him, once a long time ago, not as the bird that he is, but as one of the other wailing worms. She had listened to him.

"But I feel your wings." She says, stubbornly. "You are more than you think you are. How could you be a worm?"

He smiles. "Sometimes love goes by many names. Sometimes, its best name is blindness."

Love is neither sight nor blindness.

"No." She says. "Love's name is not blindness. Love is what is real, it is a realization. You are a bird. My blindness gave love realization."

"Do you not feel your wings?" he says softly. "My sight will realize your reality, too."

She is not a worm. He is not a bird. They are real and the in between of wings and worms is where they live.

when hearts are many-faced

My heart has many faces, and all of them are turned toward many yous.

I miss our impromptu singing.

 I miss looking at you and the telepathic connection unfolding.

I miss knowing your heart and reading your face.

 I miss dancing.

 I miss long travel days.

I miss setting food aside for you when you’re too busy to eat.

I miss getting texts from you when we’re sitting across from each other in boring meetings.

 I miss pinning on your nametag and fixing your hair.

I miss apples and peanut butter and bran muffins and chocolate chip cookie dough.

I miss  sitting under blankets and hammocks and the way you smell early in the morning.

I miss stairwells and bad food days and the weird smell of Wendell’s office

.I miss the broken oven and the uncomfortable futons and people being everywhere.

I miss laughing till we make the sun rise at night.

I miss your laugh and your voice and your smile and the way your eyes become soft as cotton candy right before your heart leaps from your lips.

 I miss times when you told me your secrets and we cried.

 I miss you.If you were a person, you’d be a many-faced person.

If you were a heart, you’d be a many-faced heart. And I think we are more or less a person, because I think we are more or less a lonely bride. And I think we are more or less a heart, because I feel us beating each other sometimes.

 I miss lots of things today. And it’s good to miss and it’s good to remember and it’s good to care that the pieces of my heart - the pieces of his heart - will someday be gathered, and we’ll have one face. Then there will be no more missing at all, because we will be one.

Summer and Blue

“Hello.” said the boy with the blue eyes. It was raining and his brown hair ran down his face with the rainwater.

“Hi.” said the girl with the summer smile. Her hair was not running anywhere. She held a polka dot umbrella over her head and stood in its spotlight.

The boy with the blue eyes smiled, but it was a sad, February smile. “We don’t know each other, do we?” The smile turned to frost, and the summer girl watched, perplexed and teary-eyed as he turned into an ice ghost before her.

The summer girl had seen a ghost before. That’s how she knew the boy with the blue eyes was one.

She lived in an industrial-strength box in the middle of a petulant city. The sky was a perplexing shade of brown and the people there were all little silent-movie black-and-white executives. They wore combed hair, conservative ties and carried briefcases with locks on them. The reason they had locks on the their briefcases was that they carried weeks of July and August, packaged in dandelion fluff and wishes, in them.

Summer is very heavy.

Every evening at the very same time, in the very same way, the executives would sit down at their mouldering kitchen tables with a glass of strong autumn in one hand and their briefcase in the other and they would open them and smell their summer weeks and look at the yellow sun in a briefcase where it doesn’t need to shine except to keep awake.

The girl with the summer smile had always been told she was born at that time of day and when she had made her first sound – a self-conscious hiccup – she had accidentally swallowed a sunbeam and that it was always trying to run away when she smiled.

In reality, the reason she smiled like summer is that when she had first got her briefcase full of July and August, she had looked at the sun so often she had begun to turn into summer itself. When the others found out, they put her in a very industrial little box house and told her about the ritual of seeing summer only once a night.

So she listened and met the ghost boy in the wallpaper.

He was translucent with tiny teeth and a mass of hair. “Hello.” he said as he rose from the oily industrial wallpaper.

She was still too young to run away from either ghosts or strange boys.

She was not afraid of him.

So they became friends until he left her to go to the capacious attic where he turned into a pile of bones with a heartbeat.

She cried.

When she could come to her senses and abandon the drudgery of walking under a brown sky with a briefcase, she climbed the cobwebs to the attic, and, stifling the Niagara Falls inside her lungs, she found the bones and embraced them for she embraced the ghost boy’s memory. She tripped on a wooden puppet on the way down.

She grew to despise both attics and puppets.

Standing here in the rain looking at the blue-eyed boy made of ice, she was reminded unpleasantly of the ghost boy’s heap of bones in the attic.

She lowered her eyebrows. “I defy you, Death.” she said to the February clouds. “I know you mean harm only and I see where caring got me last time.”

She turned from the boy with blue eyes and the sound of her shoes was like rain. And rain was raining. And the boy was making noises silently, and his eyes were blue, and his cheeks were running blue and his chin was raining blue and he was crying and there was rain. He was unmoved still – she knew because she heard no footsteps behind her – but he was blue with ice and blue with rain and blue with crying.

She looked down at the crackling sidewalk and observed her feet, made of smoke and coffee stains. She observed her transparent hands and her tears fell through her – his tears too. All of a sudden, things were plain and sunflowers grew – she was a ghost. Even less than a mouldering heap of bones piled up without a soul in an attic, she was a ghost.

Both. No wonder she had not run from the wallpaper boy. Ghosts. How could she remember the wallpaper boy, if she and the blue-eyed boy are so of smoke and ice. There is no marriage of fire and water. There is no love in ghosts.

And the blue-eyed boy’s tears met hers and they turned to blood and the blood ran off them. She turned around as he turns toward her and their blood vapor hands meet.

Blood turns to water and they fall into stars. They are alive and summer meets blue and we call it Love.